Introduction
Homeopathy has been reduced to a mechanical routine: ticking off symptoms, adding up points, watching which name comes out of the spreadsheet. This is a complete misreading. No remedy lives in a column of figures, and no patient is ever cured because a rubric tallied one more vote. The Organon does not ask us to count — it asks us to understand: it is the rare, singular and characteristic signs that speak, never the piling-up of the common and the pathological.
This encyclopedia was born of a refusal. Rather than the repertorial grid, it restores to each remedy its genius, its nature, its living image : nearly 1,540 illustrated monographs, the most beautiful and the most complete in the world, where you grasp the atmosphere of the case and its point of entry before any counting. You search it by meaning, and not by keyword coincidence; and its case analysis reasons like a clinician bent over his patient, never like a spreadsheet spitting out a name.
There, at last, the black clouds of the materia medica lift and the general image of the remedy stands out. The repertory remains what it should always have been: a tool — one tool, and the last one. Thought returns to its rightful place. Trilingual — French, English, German — so that the source remains open to all.
And because a materia medica is never fixed, the encyclopedia remains open : Expert-level practitioners may submit new remedies — every accepted monograph, validated by the editorial board, enriches the corpus under its author's name. The work grows with those who bring it to life.
“If the remedy is not in the encyclopedia, it probably does not exist.”
Video presentation
A brief history of the encyclopedia
Text to come — the story of the encyclopedia, from the first monograph to today's trilingual corpus.
